Welcome to Horace Mann's Webpage on:
Introduction:
- For a long article giving the history of music and dance of Japan, see http://sites.sympatico.ca/cyap/english/perspectives/japan/japan.html, or for a shortened summary of the long article, click here. Below is a brief outline of the history:
I. A Brief History of Japanese Music and Dance
Folk music originated with the earliest people who came to the Japanese islands, the Jomun. Music included work songs, lullabies and communal music and dance which is associated with the worship of spirit deities (kami), group dances accompanied by response singing and pantomime dances such as a bird dance which portrays (tries to show) flying birds, and a whale dance which tells of the discovery of a whale carcass on the beach and the subsequent (following, resulting) division of whalemeat among the tribe.
During the Yayoi Period (c. 300 BC - 300 AD), the later settlers of the islands also had ritual dances. Archeologists have found clay images of dancers and musical instruments. The first historical record of Japan's history is the Kojiki, one of Japan's oldest books. It was put together in 712 AD but tells about much earlier events. It tells of a dance performed by Ame-no-Uzume-no-Mikoto, deity or goddess of divine movement, marriage and meditation.
Some of these dance styles may be seen today in the oldest styles of Shinto ritual dance accompanied by drums, flutes and chanting, and the masked shamanistic performance associated with Shinto festivals, and the performances of shrine priestesses.
Seventeen dance rituals were also performed in Shinto ceremonies and continue for up to eight hours or longer. Today it is common for people to drink sake (rice wine) during the performances. To keep the Shinto gods happy, only virgin girls and males can dance, not married women. Performers often wear carved masks. [Learn more about kagura where you can hear the music on Real Audio.]
In the Kofun (Tomb) Period (c. 300 - 700), these Shinto dances were supported by the rulers who united Japan. Shinto was the official religion early in that time, and the rulers encouraged the dance rituals to bring rain to the crops, good weather, etc.
Chinese and Korean influenced the later Kofun (Tomb) Period. New instruments from China and Korea (which came originally from Central Asia and India) were used at the imperial court in Japan. These dances were imitations of the imperial dances of Tang dynasty China and Silla dynasty Korea of the seventh century. It was greatly admired in Japan. This Confucian-style music and dance ("Gagaku") was imported by the early Japanese emperors. [See some images of these dances of the Imperial Court and imperial court. See an image of musicians of China's Tang court.
At the same time Buddhism was spreading. To enourage the spread of Buddhism, a new popular form of music and masked-drama was developing. It included a play with music that told the story of the Buddha and Buddhist miracles. The actors were masked and the play was preceded by a mime-dance procession (like a parade). This relgious dance-drama ("gigaku") remained popular in Japan until the Middle Ages.
Samurai theatre - noh and kyogen - developed with the rise of the samurai or warrior class (794 - 1333). There developed new types of popular entertainment: a blend of narrative (storytelling), juggling and acrobatics, harvest ritual music and dance. The musical dance-drama "noh" and its humorous skits between noh acts known as "kyogen" were brought into theaters. Accompaniment is provided by a three- to four-member ensemble of drums and flute and a six- to eight-member chorus whose primary function is to explain and comment on the action.
Popular theatre of the Edo period - Kabuki & Bunraku Puppet Theater of the Edo Period (1600-1867) were more lively and popular with common people. Music and dance continued in these theater arts.
II. Traditional Japanese Musical Instruments
- Some traditional instruments are shown at the Kids Page http://www.jinjapan.org/kidsweb/japan/d/q5.html and "Traditional Japanese Music" at http://www.jinjapan.org/kidsweb/virtual/koto/music.html These include the koto, bamboo flute, three-stringed samisen, and more.
. . .
- Taiko drums' history is given. Other sites about Taiko (including a brief tutorial) are given at http://www.taiko.com/rollingthunder.html For hundreds of years, people in Japan used the sacred taiko drum to drive away evil spirits, bring rain and offer thanks for a bountiful crop, and, in ancient times, to call warriors to gather and arm themselves. Visit San Francisco Taiko Dojo's excellent website and play different types of drums at their interactive site http://www.taikodojo.org/main.html
See A Look at the Koto (Kidsweb) and hear the koto at Virtual Koto (Kidsweb) and at sakura (a whole song!).
Photo by Scott
Robertson
Shamisen

The three stringed instrument [shamisen] is shown. There is also an audio section, so you can hear this instrument by clicking at the bottom for Mac audio. (It will take about a minute and a half to download.)
Japanese Bamboo Flute [shakuhachi] is found at http://www.j-music.com/aki/bamboo.html. It is further introduced at http://www.teleport.com/~moonbr/shakuhachi.html and see a musical score at one of its links.
The biwa was a popular instrument something like a lute (or guitar). In medieval times, it was used by travelling story-tellers and played as accompaniment to their stories, much like the minstrals in medieval Europe. To see a biwa, go to http://www2.gol.com/users/yoko/biwa.html. Learn more about the biwa players (from the 700s through the Middle Ages) at http://www.geocities.com/~cthulhu_666/AHTips3a.html#anchor2033394
biwa
(from Shosoin
by Garfias)
Music and Dance of the Noh and Kabuki Theaters
- Noh: For an introduction to Noh, see http://www.iijnet.or.jp/NOH-KYOGEN/english/english.html This site tells about the history of Noh, explains the types of stories presented, shows the stage and the actors, musicians and chorus.
- For more information on Noh musical instruments and movements, masks, costumes, and stage, see http://www.iijnet.or.jp/NOH-KYOGEN/english/english2.html
- Dance developed in the noh and kabuki theater. Dance (odori) is shown by a master dancer (a male kabuki performer who also dressed like a woman for the dances) at http://www.cjn.or.jp/nagoyaodori/the-others.html
- Kabuki: In the excellent site "Kabuki for Everyone" you can see the traditional instruments and hear them. Go to http://www.fix.co.jp/kabuki/sound.html Kabuki developed initially for entertainment of the Merchant Class in Edo (old name for Tokyo).
- Kabuki face designs are found at a teachers' lesson plan site, Ask Asia: http://www.askasia.org/image/drawing/i000266.htm
- Several kabuki dance sequences can be seen with QuickTime at http://markun.cs.shinshu-u.ac.jp/japan/j_dance/index-e.html from Fuji-Com TV. This may take some time to download. Click on the frames you wish to see as a short "movie".
- Geisha Dancers are introduced at http://home.earthlink.net/~eptak/Japan/hilites3.html and at http://www.geocities.com/~cthulhu_666/AHTips3a.html#anchor2033130 Geisha are female entertainers. The word literally means 'person of the arts' and reflects the intense training in traditional Japanese music, poetry, and dance which a proper "geisha" should have.
Folk Dancing & Singing (festivals, folk songs, street entertainment)
- Many of the folk dances were done by the whole community according to their work and/or season, such as a harvest dance, fishing dance, etc., and was part of a festival or celebration. Summer festivals were often for warding off disease. Learn more about these folk festivals at http://www.jinjapan.org/today/culture/culture3.html#agr Also at the bottom of this next site, see the folk songs and dances in Shirakawa-go in Hokkaido (with RealPlayer/RealAudio 3.0) at http://shirakawa-go.com/e_kyoudo.html. The music is a "cultural asset" supported by the government, famous for its unique words, melody, and dance. They are always sung and danced when people have happy events, for example a wedding reception, the erection of the frame of a house, restoration of a thatched roof and so on.
- For an example of how dancing was used to ward off disease by pleasing the God of Plague, see "Yasurai Matsuri". During the Heian Period (794-1191), around the time when the cherry blossoms faded and their petals strewed the streets of Kyoto, the city used to see outbreaks of epidemics. This festival was first held at such a time to calm to the spirit of the Plague God with songs and dances and to pray for safety from disease and accidents. Men dressed as red and black demons beat drums and gongs as they dance through the streets towards Imamiya Shrine. The festival is designated as an Intangible Folk Cultural Asset. See http://www.kyoto-np.co.jp/kp/koto/saijiki/4/4up_e.html. Consider how other dances and performances were used to please other gods.
- The Lion-Mask Dance of Kurikasa at http://www.ibm.park.org/Japan/hometown/yoro/geinoh-e.html This festival is to pray for a good harvest and safety of the town and the shishimai (lion-mask dance) takes its roots from the dances of the Ise Jingu shrine. The dance is very comical and acrobatic, and sometimes one man carries another on his shoulders to portray a giant lion. In Hokkaiko, Gifu Prefecture, there are other "lion dances" (or "Shishimai") explained and pictured at http://shirakawa-go.com/e_kyoudo.html and a "RealPlayer" video showing it. Also see a lion dance at http://www2.marinet.or.jp/~kankouts/hakone/midokoro/matsuri/matsuri04-e.html See a painting of a lion dance at http://www.kumon.co.jp/kaimg/ka129l.jpg
- The "Awa Odori" (Dance festival of Awa which goes back almost 400 years) is shown at http://www.naruto-u.ac.jp/~e9662201/ This site even offers you a dance lesson!
- The Bon Odori (Bon Dance) festival honors ancestors. The origin of this Buddhist dance honoring ancestors is given at http://www.scu.edu/SCU/Programs/Diversity/bonodori.html
- A dance company in Kyoto tells a little about the history of dance (as a separate performing art from Kabuki) called Nihon Buyo, at http://www.kt.rim.or.jp/~lavender/oto/etigo.ra [Requires Real Audio]
Sacred Dancing (Ancient Shinto Dance Rituals) and Buddhist Music
- Historically, kagura (dance of the gods) is the oldest form of dance in Japan. Originally performed by shamans, its influence is perceived in all Shinto dances performed at shrines today to appease or attract the favor of the deities.
- Learn more about the Buddhist chants and songs ("shomyo") which some historians say provided the basis for Japanese popular songs and folk ballads, at http://www2s.biglobe.ne.jp/~tengaku/Shomyo/Shomyo-e.html.
Dancing & Singing for the Court
- Nagauta ``Shizu no Odamaki" and "Takao zange'' - The first Japanese dance recounts the ancient tales of Shizuka Gozen - the sad parting with her lover, her journey, and her dance at the shrine of Tsurugaoka-hachimanguu performed at the desires of Yoritomo. Despite her captivity, Shizuka Gozen continues to long for her lover Yoshitsune and prays for the safety of her beloved, incurring the displeasure of Yoritomo in this dance. See and hear it at this site which has a short movie (requires "Simple Player" or "QuickTime").
- For introductions to gagaku (court music of the 9th - 12th centuries) see http://www.voicenet.com/~fuekarl/index.html and then "What is gagaku?" http://www.voicenet.com/~fuekarl/gagaku.html
- Gagaku, the court music of the Imperial Household of Japan, has a long and august tradition. It has been played by musicians from the same hereditary families, or guilds, for more than one thousand years. Gagaku was introduced to Japan from China and Korea. The Word Gagaku is written with two Chinese characters that mean "elegant music". See "Gagaku Roots" at http://aris.ss.uci.edu/rgarfias/gagaku/gagaku.html
- Music is played as part of the Kyoto Craft site http://web.kyoto-inet.or.jp/org/kyocraft/
- A short explanation of gagaku and gagaku instruments is found at Fuji-Com TV at http://www.fuji-tv.com/indexe.html Then go to "Japanese Webs" and scroll down to "Traditional Art and Culture". Click on "Gagaku".
- An image of a bugaku (ancient court dance) is shown at http://ns3.shudo-u.ac.jp/miyajima/en/eevent.html#Bugaku This dance is still performed today for special occasions. For a mask used in bugaku, see the top of http://ns3.shudo-u.ac.jp/miyajima/en/eart.html#Genjoraku and see http://www.joho-shimane.or.jp/dentou/dkiwam_e.html
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